导演：
Alexander Kluge
主演：
Hannelore HogerAlexandra KlugeEdgar M. Böhlke
状态：
HD中字
剧情：
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is anci...展开ent and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.Alexander Kluge: The Power of FeelingWhen I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.收起
7.3 HD中字版
故事讲述马库斯的妻子在一场悲剧的火车事故中身亡，马库斯要赶回家陪女儿玛蒂尔德。这场事故似乎是一场意外，但一位数学极客，也是火车中的一位乘客，与他的两个同事现身，说出他们确信这场事故背后另有隐情。
HD中字
拉姆和阿夫塔尔都是童年时代最要好的朋友。两个朋友之间的区别是RAM愿意作出无价的牺牲为他的朋友时，当两个分离的时间是RAM出国深造。阿夫塔尔的平均值，而就业组织交给Sangeeta运行。阿夫塔尔浪
6.5 已完结
影片改编自出生于法国的波兰诗人、作家爱德华•斯塔胡拉（Edward Stachura；1937年8月18日~1979年7月24日）发表于1971年的小说《执斧人或冬季的森林人》（Siekierez
6.0 更新至高清
影片真实再现震惊世界的“印度9·11”孟买恐袭事件，2008年11月，著名的泰姬陵酒店意外遭到恐怖分子入侵，恐怖分子无差别行凶，让整个酒店陷入绝望之境，百余名酒店住客及员工被困，无人得知何时能等来
8.3 HD中字版
本片由英格玛·伯格曼编剧，剧情改编自伯格曼父母的婚姻故事。其母安娜原是富家千金，偶然认识了贫穷的哲学系学生亨利·伯格曼，执意要嫁给他，不惜违背母亲的旨意。但她前往亨利的故乡结婚之后，才发现地处穷乡
7.3 已完结
影片鲜明而真实地表现了1942年夏季苏军在顿河草原上的保卫战：一支团队在撤退途中，奉命占领一个小村后面的十字路口的高地。主人公在战前从事着不同的职业，战争使他们聚集到了一起。经过艰苦卓绝的战斗，这
8.2 DVD
十七岁的玛利亚（瓦莲京娜·季托娃 Valentina Titova 饰）是衔着金汤匙出生的千金小姐，从小过着养尊处优的富足生活。这样的她，偏偏爱上了一穷二白的青年弗拉基米尔（奥列格·维多夫 Ole
7.2 已完结
A group of Czech artists choose to ignore the realities of Nazi occupation in this brooding experi
9.1 HD中字版
刚刚和妻子离婚的卢卡斯（麦斯·米科尔森 Mads Mikkelsen 饰）目前在一家托儿所工作，心地善良个性温和的他很快就受到了同事和孩子们的喜爱，其中，一个名叫卡拉（安妮卡·韦德科普 Annik
HD
A psychoanalyst is sentenced to community service following a traffic accident and is assigned to pr
7.0 HD
上世纪二十年代中期，草原上普通的哈萨克族人萨里姆萨克因在反对一夫多妻制的戏剧中反串女性而被妻子嫌弃有辱家门。他在争吵中无意地说出“Talaq（离婚）”，根据当地的宗教传统，只要丈夫对着妻子连说三遍